There was no organ at all until 1726.
In 1895, a commentator wrote: "There have been many organist appointed from time to time, but none seem to have held the post for any period to speak of."
1726 John Travers (c.1703-1758);
Edward Clark, c.1770? (c.1728-1789);
Dr John Wall Callcott, appointed 1789 (1766-1821);
A. Moxley, Organist for 30 years (died December 1852?);
Mr C E Willing, Organist C1861;
A. Hayter, Organist in 1866;
Mr Alex F Cooper, F.C.O., Organist C.1884;
Mr Phil Macdonald, appointed 1892, still Organist in January 1895;
Harry E. Wall, Organist from 1904 till at least 1921;
William A. Gardner, Organist in 1924;
Oswald G. F. Peskett Organist from April 1952;
S. C. Stebbings Organist from January 1962;
Tim Bond, Organist 1971-74;
Ralph Elston 1974
Simon Gutteridge, 1979 -
In 1720, the vestry decided to buy an organ, by voluntary subscription, and that “any Inhabitant. . . may Apply to any of their friends who are Organ Makers to bring in Proposals”. Tenders were received from five organ-builders.
(John) Knoppell, Mr. Harris (presumably one of the sons of Renatus, senior), Mr. Gerard Smith, Mr. Christian Smith (presumably nephews of Father Schmidt), and (Christopher) Schrider.
Selection was to be by the majority vote of subscribers, who had one vote for each guinea contributed. However, objection was made to some of the tenders and the matter lapsed until 1726 when an organ (15 by 16 feet on plan) and two small galleries for the charity-school children were erected at the west end.
The organ was the work of the English organ-builder, Abraham Jordan.
The first organist was John Travers who was elected in November 1726 on the recommendation of the third Duke of Bedford “and severall other Persons of distinction”.
His salary was £30 per annum.
John Travers, born c.1703 died June 1758, was an organist and composer.
The organ was repaired by 'Mr [William] Bailey Send & Co.' in 1763.
In 1795 there was a dreadful and destructive fire which started in the church roof.
In the month of October 1795 Hardwick was appointed surveyor to the parish and produced a restoration estimate of £10,300, plus the cost of a new organ.
The choice of organ-builder was referred by the vestry to the joint organists of the parish, and J. W. Callcott recommended either John Avery or William Gray.
The latter was chosen, and subsequently retained to tune the organ at 8 guineas per annum.
The total cost of the instrument, for which Hardwick designed the case, was £577 10s.
It was tried and approved by Doctor Burney before the consecration.
By 1861 the organist could 'manage to get through' the Sunday services, but with much
difficulty owing to the 'tottering state of the Mechanism'. In that year the Duke of Bedford
paid for a three-manual instrument by Henry Bevington, which incorporated part of the case, and possibly pipes and other pieces, of the Gray organ.
The Bevington organ was completely dismantled and restored, with the addition of a bottom octave for the Swell organ, thus completing its compass, by N. P. Mander, Limited, in 1967.
Sunday at the Musicals - Concert One
Paul Burton Productions are pleased to be bringing Sunday at the Musicals back to The Actors’ Church in Covent Garden, London.
Pygmalion by George Bernard Shaw
Join Paul Burton Productions as they present Pygmalion in its historic home of Covent Garden at the Actors' Church.
Baby Gospel - Family Concert
An uplifting family concert of soul, Motown and gospel music, featuring the astonishing vocal talents of London’s CK Gospel Choir.
Platform - Jack Miles & Friends
PLATFORM is Iris Theatre’s new initiative to champion breakout artists taking the next steps in their professional life. This event series will see the company host regular showcase nights that will run throughout 2021, spotlighting performers from a variety of disciplines. PLATFORM is open for expressions of interest all year round. If you are interested in becoming a PLATFORM artist, then you can head to our website to find more information, or e-mail us at firstname.lastname@example.org.
Rare and Revered
Join us for an evening of operatic arias and duets, in support of Help Musicians, the charity for professional musicians. Favourites from La bohème, Don Giovanni and La Traviata will be performed alongside wonderful, but less well known works that deserve to be heard.